Born a slave on the island of Saint-Domingue, Zarité — known as Tété — is the daughter of an African mother she never knew and one of the white sailors who brought her into bondage. Though her childhood is one of brutality and fear, Tété finds solace in the traditional rhythms of African drums and in the voodoo loas she discovers through her fellow slaves.

When twenty-year-old Toulouse Valmorain arrives on the island in 1770, it’s with powdered wigs in his baggage and dreams of financial success in his mind. But running his father’s plantation, Saint-Lazare, is neither glamorous nor easy. It will be eight years before he brings home a bride — but marriage, too, proves more difficult than he imagined. And Valmorain remains dependent on the services of his teenaged slave.

Spanning four decades, Island Beneath the Sea is the moving story of the intertwined lives of Tété and Valmorain, and of one woman’s determination to find love amid loss, to offer humanity though her own has been battered, and to forge her own identity in the cruellest of circumstances.

---

my grandmother’s love story happens only rarely. A slave remains a slave. If she escapes, and is lucky, she dies in her flight. If she doesn’t, she is caught alive. Tear that idea of freedom from your heart, that is the best thing you can do

Zarite Sedella

In my forty years I, Zarite Sedella, have had better luck than other slaves. I am going to have a long life and my old age will be a time of contentment because my star-mi z’etoile– also shines when the night is cloudy. I know the pleasure of being with the man my heart has chosen. His large hands awaken my skin. I have had four children and a grandson, and those who are living are free.

My first memory of happiness, when I was just a bony, runny-nosed, tangle-haired little girl, is moving to the sound of the drums, and that is also my most recent happiness, because last night I was in the place Congo dancing and dancing, without a thought in my head, and today my body is warm and weary. Music is a wind that blows away the years, memories, and fear, that crouching animal I carry inside me. With the drums the everyday Zarite disappears and I am again the little girl who danced when she barely knew how to walk.

I strike the ground with the soles of my feet and life rises up my legs, spreads up my skeleton, takes possession of me, drives away distress and sweetens my memory. The world trembles. Rhythm is born on the island beneath the sea; it shakes the earth, it cuts through me like a lightning bolt and rises toward the sky, carrying with it my sorrows so that Papa Bondye can chew them, swallow them, and leave me clean and happy. The drums conquer fear. The drums are the heritage of my mother, the strength of Guinea that is in my blood. No one can harm me when I am with the drums, I become as overpowering as Erzulie, loa of love, and swifter than the bullwhip. The shells on my wrists and ankles click in time, the gourds ask questions, the djembe drums answer in the voice of the jungle and the timbales, with their tin tones. The djun djuns that know how to speak make the invitation, and the big maman roars when they beat her to summon the loas. The drums are sacred, the loas speak through them.

The Sex Scene

The man clasped her waist and with desperate hands pulled off the tunic, revealing the slim, musk scented girl who yielded, fused, crumbled against the pressed bones and hard muscles of his own body cured by battles and privations. He tried to lift her in his arms to carry her to the bed, which he could see in the next room, but Violette did not give him time; her odalisque’s hands opened the heron-painted dressing gown and his trousers; her opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy.
Etienne Relais felt that he had sunk into a swamp of delectation, without memory or will.
He closed his eyes, kissing those succulent lips, savoring the aroma of mango, while his soldier’s callused hands stroked the impossible softness of that skin and the abundant wealth of that hair. He thrust into her, abandoning himself to the heat and the savor and the scent of the girl, with the sensation that finally he had found his place in this world
after being so long alone and drifting. In only a few minutes he exploded like a stupefied
adolescent, with spasmodic bursts and a yell of frustration for not have given her pleasure, for he wanted more than anything in his life to make her love him. Violette waited for him to finish, motionless, wet, panting, mounted on him with her face buried in the hollow of his shoulder, murmuring incomprehensible words. Relais did not know how long they were embraced like that, until he could again breathe normally and emerge a little from the dense fog that enveloped him, then he became aware that he was still inside her, grasped by elastic muscles that were rhythmically massaging him, pressing, releasing. He managed to wonder how that girl had learned the arts of a practiced courtesan before he was lost in the magma of desire and the confusion of his instantaneous love. When Violette felt he was again firm, she wrapped her legs around his waist, crossed her feet behind his back, and gestured toward the other room. Relais carried her in his arms, still clasped on his penis, and fell with her onto the bed, where they could revel as they wished until long into the night, several hours more than Loula had stipulated